Tag: Jane Yolen

Jane Yolen’s Picture Book Boot Camp

Posted on by Betsy

CEaHyEsUsAA95AFIn March 2014, I had the pleasure of attending Jane Yolen’s first Picture Book Boot Camp. The retreat had been announced in the fall of 2013, right after my husband lost his job. Something told me this was a once in a lifetime experience, and when I approached my husband about the opportunity to spend four days at Jane Yolen’s house for a picture book master class, he encouraged me to apply. “We’ll make it work somehow,” he said. Two months later, as my husband found employment, I was accepted into PBBC. For a short PBBC slide show follow this link.

First, many thanks for joining me today, Jane, and congratulations! With dates in place for PBBC #3, you are now accepting applications from either traditionally published authors or authors under contract with a (traditional) publisher. Having attended your first-ever PBBC, I know what your future attendees can look forward to: four days of master classes, award-worthy meals, inspired presentations from respected people in our industry, a trip to the Eric Carle Museum, an owl excursion, and the opportunity to work at the famous desk where you wrote Owl Moon. In addition, you were always available to answer questions outside of your talks, and welcomed each of us into the fold.

When you first developed PBBC did you foresee it growing beyond the first camp?

There was always the hope, but one never knows about the extent of the participant pool, the cost factor, the travel factor, and the dozens of other possible workshops going on at approximately the same time.

What did you learn from the first PBBC and were any changes put forth as a result?

We learned a bit about pacing, about having bought too much wine (who knew!), and had a harsh reminder that sometimes there’s an owl, and sometimes there is not!

What are your long-term goals for PBBC?

Once or twice a year until the participants wear out or we do.

What do you hope your campers take away from the experience?

I want them to feel renewed in their joy of writing, in their commitment to publishing the best possible work, and to have found new work-arounds for things that have annoyed/bothered/frustrated them. Also I hope that at least some of the mss. workshopped get taken in this ever-increasingly difficult publishing world. I want them to realize that any manuscript can be improved, that a rejection merely means the wrong editor has seen it, and that publishing runs in cycles, troughs, and waves.

What is your personal favorite part of PBBC?

Heidi’s food and the manuscripts that I can salvage, save, or lift to the next level. And the friends/colleagues for life we have made.

The food is fabulous at PBBC, thanks to your talented daughter and author Heidi Stemple. How about a CBCWH (Cooking Boot Camp with Heidi)? I will be the first to sign up!

You will have to ask her that!

As a former boot camper, I love the supportive and encouraging community that grew out of our PBBC #1 experience. Did you foresee this happening?

Yes, because I have taught workshops before.

Many writers would love to be under your wings for a few days, absorbing your wealth of knowledge and experience, but are not eligible to apply. Is there any advice you might offer to these writers?

The minute you get a traditional publishing contract for a book, send us an email and ask for an application.

Have any of your former boot campers gone on to publish one of their PBBC manuscripts?

We already have a couple who are in the process of signing new mss. with top publishers. I am not totally clear whether these were ones we workshopped (I believe at least one is) or whether they are simply new mss. that were already in progress.

Moving forward, do you hope to maintain two PBBCs per year, and do you have ideas for any other kinds of writing retreats?

NOPE. I have my own writing to do as well.

Thank you again, Jane, for stopping by to answer questions. For those interested in receiving an application to PBBC#3 (September 10-13, 2015) or if you have additional questions about Jane’s boot camp, email Heidi at heidieys@gmail.com.

Jane Yolen is the beloved author of over 350 children’s books, fantasy, and science fiction, including Owl Moon, The Devil’s Arithmetic, and the immensely popular How Do Dinosaurs . . . ? series. Jane is also a poet, a teacher of writing and literature, and a reviewer of children’s literature. She has been called the Hans Christian Andersen of America and the Aesop of the twentieth century. Her books and stories have won the Caldecott Medal, two Nebula Awards, two Christopher Medals, the World Fantasy Award, three Mythopoeic Fantasy Awards, the Golden Kite Award, the Jewish Book Award, the World Fantasy Association’s Lifetime Achievement Award, and the Association of Jewish Libraries Award among many others.

 

 

 

New England SCBWI Conference 2012

Posted on by Betsy

This year’s NE-SCBWI Conference (my sixth) was different for me. As the On-the-Spot Critique Coordinator, I was one of numerous volunteers responsible for making a successful conference. In my position, I felt deeply obligated to the attendees, wanting to facilitate proper connections to editors/agents, and I’d promised these same professionals that I’d do my best to secure them additional critiques. In truth, I was scared. Since becoming the On-the-Spot Critique Coordinator less than a month ago, I have secretly fretted, while my daily early-morning writing time turned into early-morning e-mail communication, chart-making, and teaching myself how to make a spreadsheet. (I am also a committee co-chair for the upcoming New Jersey SCBWI Conference.) My manuscripts lay untouched; my muse went on strike.

Preparing for the conference reminded me of my earlier years in the business of writing for children, when I was unsure and questioned my abilities. Self-doubt hinders your growth as an artist. So I stopped thinking about What Might Not Happen (that the on-the-spot critiques would be a failure) and I began to believe that I could, indeed, pull this off. But to do this, I had to call on my Inspired Frame-of-Mind, which is strong, determined, and follows the muse with much delight, like a kitten chasing an unraveling ball of red yarn. I write what my characters tell me, and on some level, believe they are the ones shaping their stories, not me. I continue to struggle with writing for my blog, for that voice comes from a different place, where self-criticism has rented a tiny room and ignores my weekly eviction notice.

So in my Inspired Frame-of-Mind, I faced the task of being a successful conference coordinator: I worked diligently and focused on being positive, while doing everything possible to sell these critiques. The bar to succeed is set high due to the tireless efforts of our region’s longtime coordinators, who have given so much of their time over the years: Marilyn Salerno, Joyce Shor Johnson, Kathryn Hulick, Melissa Hed. Valarie Giogas. Laura Pauling. Melissa Stewart. Casey Girard. Betty Brown. Sally Riley. Jean Woodbury. Linda Brennan. Jennifer Carson. Joannie Duris. Anna Boll. Jennifer O’Keefe. Greg Fishbone. Francine Puckly. Margo Lemieux. And Shirley Pearson, who I hope can one day step out from behind the registration table to pursue her own dreams. I apologize in advance for not listing every name, though my gratitude is intended for all. Thank you! The NE-SCBWI Conference reflects your efforts, selfless dedication, and enthusiasm for our wonderful community. A community filled with hope and possibilities, which only grows stronger in the ever-changing climate of children’s book publishing.

After getting a good night’s sleep, I study my photos from the conference. And though I wish I’d taken more, the ones I share reflect a glimpse of conference magic. Joy. Love of writing and/or illustrating, love for our SCBWI community, and a universal craving for and adoration of books.

I will blog about some amazing workshops once I attend to my own writing. Nearly a month has gone by since my mornings focused on my work. Over the past few weeks, it felt as if a part of me was slipping away. Sadness seemed to circle above me like vultures eyeing a carcass in the middle of a busy street until I arrived in Springfield, where among other writers, I understood what was missing. I need to write.  Period.

The street is void, the vultures have flown away, and I now run free, filled with rejuvenation. I hope you are too. So much of this renewal of hope came from you, my colleagues. And I thank you. Perhaps, you can point to those moments that spoke to you, and I’d love to hear what those were. For me, the magical moments from this past weekend came as a surprise, and many times brought me to tears. 

1. How patient the attendees were while waiting in line for an on-the-spot critique. Please know how much I appreciated this, as well as your kindness.

 2. Speaking with first-time attendees. Thank you for being brave and attending your first conference. We need you. In truth, we all need each other.

3. Hearing Jane Yolen refer to us as her colleagues on Sunday. Still chokes me up.

4. Applauding the writers/illustrators who have 2012 books to celebrate. I love hearing a room full of people celebrate the successes of others. This is what we do best. This is what makes our community so special.

5. Having friends recognized for their work: Kip Rechea won the 2012 Ruth Landers Glass Scholarship. Marcela Staudenmaier won the 2012 Ann Barrows Scholarship. I am incredibly proud of these two hard-working, deserving women.

6. Harry Bliss’ keynote address, accompanied by his illustrations. Harry made me laugh and cry. What a privilege and honor to be in that room.

 7. Seeing how hard the conference staff and volunteers worked, noting their dedication not only to their job, but also to their constant desire to make attendees feel welcome.

8. Observing people from afar: laughing, smiling, sharing news, congratulating. Hoping and dreaming.

9. Hearing Sara Zarr’s keynote address, during which I was reminded why I love the Frog and Toad series, and more importantly, why I love Sara Zarr.

10. Celebrating the Poster Contest winners. So much talent!!

11. Being present when Brian Lies received his 2012 Crystal Kite Award. Congratulations!

12. Being a part of the first Novel Academy, brilliantly run by Sarah Aronson, Carolyn Coman, and Nancy Werlin.

12. Lastly, Kate Messner and her TED talk on world-building and imagination. I can’t help but get choked up when I think about this. (I thank Kathryn Hulick for asking Kate to share her speech.) Kate is very special, not only as a gifted writer, but as an avid contributor to our world’s future. She believes in children, that they can make a difference if we tap into their young minds and eager spirits.

“What if . . .” Kate asked.

What if . . .? I thought.

My initial response was: What if we didn’t have Kate Messner or her books in this world? Her spirit? Her dedication to children, and her belief that they can alter our future for the better? I cannot imagine such a loss. Driving home, other What If questions came to me, related to the conference: What if we didn’t have the talent and support of Jane Yolen? What if books didn’t exist? What if stories weren’t allowed to be told? What if we didn’t embrace failure? Would we lose our chance to grow? What if we didn’t try hard enough? What if we weren’t active listeners? What if we were unable to open our hearts so to receive constructive feedback? What if we didn’t have Harold Underdown’s wisdom, generous spirit, knowledge, and support? What if we gave up on ourselves too soon?

What if . . . SCBWI didn’t exist?

We don’t have to imagine the unthinkable because we are truly lucky. We have Kate Messner, Harold Underdown, Jane Yolen, Harry Bliss, Sara Zarr, SCBWI, and all the many, many talented and generous artists in our community. I wish I could name everyone, but know how much I appreciate you, including the editors/agents/publishers. And most importantly, our young readers. I am so grateful to be in the business of writing for children, and for being a proud member of SCBWI.

In ending this post, I hope that each of you will guard and cherish whatever inspired you over the weekend, no matter the source: A workshop experience. A book you had autographed. Conversation with a new or old friend. A phrase that tugged at your heart. An image. A helpful encounter with a professional. A photo. An unforgettable illustration. Someone’s story. A challenge, for which you rose to the occasion. A smile from a stranger. Perhaps, even a memorable slice of cake! Whatever danced in your head as you traveled back home, embrace it. Be thankful. Believe in the impossible. I do.

May you find great joy as you write and revise, draw and dream in the weeks and months ahead. Hold on to the magic of the conference. It only leaves us if we let it go.

Betsy

The NE SCBWI Annual Conference-2011

Posted on by Betsy

I am still reeling from this past weekend: a glorious three days spent with writers, illustrators, and professionals in the field of children’s literature. The NE SCBWI conference was a thorough success, and not just in my opinion.

Something was different this year. Maybe because we were enlightened by the presence of the SCBWI founders Lin Oliver and Stephen Mooser. Or perhaps it was that the writing goddess, Jane Yolen, captivated us. Whether she was speaking, walking the hallways, or signing books, she brought her brilliance, her passion, and yes, her wonderful sense of humor to the event.  Add the one and only Tomie dePaola to the mix and the almighty Harold Underdown–at times sporting a Boston Red Sox hat–and . . . talk about surreal.  I was in writing heaven! And on top of this, we had the opportunity to watch a screening of Library of the Early Mind. Everyone, at least in the field of writing for children, needs to see this. We were honored to have the two filmmakers present: Edward J. Delaney and Steven Withrow.

Richard Michelson had us on the edge of our seats with the story of how he became a prizewinning poet and children’s book author.  I plan to visit the R. Michelson Galleries located in Northampton, Massachusetts. You should too. His speech surprised me at times, but went right to the heart. Good writing at its best.

In truth, every speaker, including all the workshop presenters, was fabulous. In between workshops, the hallways were filled with glowing comments.

My head spins from all the information I obtained, the wisdom I absorbed, and the inspiration that now fuels my writing. So much so that I have put aside my notes and let my subconscious do what it does best.  As always, once I get all my new ideas on paper–thus to lessen the overcrowded feeling in my brain–I will sort through my notes and organize them accordingly. (I will blog about this actual process in the coming weeks.)

Like Whispering Pines, I plan to break up my posts on the conference, partly because I am bogged down with preparations for the upcoming New Jersey SCBWI conference. I am a committee member and volunteer, and I have lots to do before I head down Interstate 95 for Princeton, New Jersey.  (For those attending the conference, I look forward to seeing you. Please seek me out to say hi if we haven’t met before!)

Thank you to the conference committee for all their diligence and deep commitment to having the best conference possible. They achieved this goal, and much more!

I am eternally grateful to the Ruth Landers Glass Scholarship committee for choosing my middle grade novel, Savannah’s Mountain, to be this year’s recipient of the award. I humbly join the list of past winners, and I promise to honor, more than ever, my commitment to writing quality children’s literature. My congratulations to all the illustrators who won at this year’s conference.

The word I will leave you with is the word I remember the most from the conference: community. It came from Lin Oliver, and I cradle that word in my soul where it keeps me warm, and not feeling so alone at those moments when I need it the most.

Community. Let the word roll off your tongue. Feel its power, it’s undying support. In the business of writing for children, we are fortunate to be a loving and sustaining community—unlike so many other professions where greed and jealousy prevail. Writing and illustrating is a solitary experience. But we are not alone. We are in this together, supporting one another, cheering one another, and encouraging our peers. Yet, we must honor the necessary process of being by ourselves. We must close the door and find that place, which takes us out on a limb, alone. Sometimes scared, but hopefully always driven to create. To create the very best that we can.

Keep that sense of community before you escape to the work that only you can write. Then turn off the phone, the internet, the fighting desire to sink your bottom into the couch and flit from site to site, from Face book to Amazon ratings, to anywhere else because you fear the empty page.

You are not alone in that fear. Yours is not the only empty page being stared at. At this very moment, all over the world, there are writers and illustrators and creators–your vast community–having those same thoughts. Fighting those same struggles.

Believe in yourself. Give the world your very best work. Create what only you can create. And always, always, feel the support of community. Know that when you reach a personal milestone your community celebrates with you. Be thankful for this. I know I am.

I will be back next week with more from Celebrating Milestones. Thanks for stopping by!