Jane Yolen’s Picture Book Boot Camp

CEaHyEsUsAA95AFIn March 2014, I had the pleasure of attending Jane Yolen’s first Picture Book Boot Camp. The retreat had been announced in the fall of 2013, right after my husband lost his job. Something told me this was a once in a lifetime experience, and when I approached my husband about the opportunity to spend four days at Jane Yolen’s house for a picture book master class, he encouraged me to apply. “We’ll make it work somehow,” he said. Two months later, as my husband found employment, I was accepted into PBBC. For a short PBBC slide show follow this link.

First, many thanks for joining me today, Jane, and congratulations! With dates in place for PBBC #3, you are now accepting applications from either traditionally published authors or authors under contract with a (traditional) publisher. Having attended your first-ever PBBC, I know what your future attendees can look forward to: four days of master classes, award-worthy meals, inspired presentations from respected people in our industry, a trip to the Eric Carle Museum, an owl excursion, and the opportunity to work at the famous desk where you wrote Owl Moon. In addition, you were always available to answer questions outside of your talks, and welcomed each of us into the fold.

When you first developed PBBC did you foresee it growing beyond the first camp?

There was always the hope, but one never knows about the extent of the participant pool, the cost factor, the travel factor, and the dozens of other possible workshops going on at approximately the same time.

What did you learn from the first PBBC and were any changes put forth as a result?

We learned a bit about pacing, about having bought too much wine (who knew!), and had a harsh reminder that sometimes there’s an owl, and sometimes there is not!

What are your long-term goals for PBBC?

Once or twice a year until the participants wear out or we do.

What do you hope your campers take away from the experience?

I want them to feel renewed in their joy of writing, in their commitment to publishing the best possible work, and to have found new work-arounds for things that have annoyed/bothered/frustrated them. Also I hope that at least some of the mss. workshopped get taken in this ever-increasingly difficult publishing world. I want them to realize that any manuscript can be improved, that a rejection merely means the wrong editor has seen it, and that publishing runs in cycles, troughs, and waves.

What is your personal favorite part of PBBC?

Heidi’s food and the manuscripts that I can salvage, save, or lift to the next level. And the friends/colleagues for life we have made.

The food is fabulous at PBBC, thanks to your talented daughter and author Heidi Stemple. How about a CBCWH (Cooking Boot Camp with Heidi)? I will be the first to sign up!

You will have to ask her that!

As a former boot camper, I love the supportive and encouraging community that grew out of our PBBC #1 experience. Did you foresee this happening?

Yes, because I have taught workshops before.

Many writers would love to be under your wings for a few days, absorbing your wealth of knowledge and experience, but are not eligible to apply. Is there any advice you might offer to these writers?

The minute you get a traditional publishing contract for a book, send us an email and ask for an application.

Have any of your former boot campers gone on to publish one of their PBBC manuscripts?

We already have a couple who are in the process of signing new mss. with top publishers. I am not totally clear whether these were ones we workshopped (I believe at least one is) or whether they are simply new mss. that were already in progress.

Moving forward, do you hope to maintain two PBBCs per year, and do you have ideas for any other kinds of writing retreats?

NOPE. I have my own writing to do as well.

Thank you again, Jane, for stopping by to answer questions. For those interested in receiving an application to PBBC#3 (September 10-13, 2015) or if you have additional questions about Jane’s boot camp, email Heidi at heidieys@gmail.com.

Jane Yolen is the beloved author of over 350 children’s books, fantasy, and science fiction, including Owl Moon, The Devil’s Arithmetic, and the immensely popular How Do Dinosaurs . . . ? series. Jane is also a poet, a teacher of writing and literature, and a reviewer of children’s literature. She has been called the Hans Christian Andersen of America and the Aesop of the twentieth century. Her books and stories have won the Caldecott Medal, two Nebula Awards, two Christopher Medals, the World Fantasy Award, three Mythopoeic Fantasy Awards, the Golden Kite Award, the Jewish Book Award, the World Fantasy Association’s Lifetime Achievement Award, and the Association of Jewish Libraries Award among many others.

 

 

 

Experience of a Lifetime

DSC09357I am a firm believer in once-in-a-lifetime opportunities, which is why I didn’t hesitate to apply for Emma Dryden’s weeklong workshop, held in July 2014. Yes, I adore Martha’s Vineyard, but add Emma Dryden to the experience? I was in.

This year, veteran children’s book editor and publishing consultant, Emma D. Dryden returns to the Noepe Center for Literary Arts to, once again, teach The Art and Craft of Children’s Book Writing. Emma, who is smart, funny, and so approachable, brings along her expertise and her undying passion for children’s literature. Her enthusiasm is contagious, and it set a tone for the unforgettable week. The balance between workshops in the morning, and free time in the afternoon, to write or explore the island’s beauty, was perfect. Our group of twelve attendees quickly fell into helping each other: Reading, critiquing, bonding over our love of children’s literature.

DSC09183There were magical, takes-your-breath-away sunsets, the ones people gather on the beach to watch (and applaud for) every evening. There was the lone blue heron that swept gracefully into the harbor as the sun lazily welcomed a new day. There was my daily experience of padding through a sleepy Edgartown as dawn approached, past the street sweepers, relishing in the smell of fresh muffins baking at a nearby bookstore bakery. There were Emma’s writing prompts that ignited new stories within. And the evenings, in which we’d gather together as a group, preparing dinner, those were some of the  best moments.

If you do anything this year to advance your craft, or feed your writing soul, attend Emma’s workshop. You can register here, plus read more detailed information on what topics Emma will address: http://noepecenter.org/emma-d-dryden-the-art-and-craft-of-childrens-book-writing-july-5-11-2015/
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I left the experience with so much more than I’d hoped for. Renewed confidence, new and nurturing relationships, and lasting memories, that still feed my creative spirit today. For a brief slideshow of some highlights from our week on this beautiful island, follow this link:  https://www.youtube.com/watch?v=60PFQsjqk0k

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The Writing Barn’s Magic

wpid-IMG_20130211_131304.jpgSONY DSCMore months than I would have hoped for have passed since my last blog post. It’s not as if I haven’t been writing. I have. For hours on end. At this time in my life, the work I do on my novels bears more importance because ultimately, I want to leave something behind on this earth. Something beautiful. Whether it be through published works, photographs, or by inspiring the children I encounter on a daily basis, this is where my main focus remains. Still, I enjoy blogging, so I am jumping back in with hopes that I can resume a more regular routine. Thank you for bearing with me.

I recently returned from a three-day stay at The Writing Barn in Austin, Texas. This inspiring place of sanctity is run by author Bethany Hegedus, who couldn’t be more kind, welcoming, or talented. The Writing Barn is just as welcoming with its endless shelves of books, calming figurines, and the artwork of E. B. Lewis, all of which greets you when you walk through the front door. Before you even unpack your bags, you know you won’t want to leave. You want to breathe everything in, read the array of fabulous novels, books on writing, all there for visitors to enjoy. You want to sit outside and watch hawks soar above the grounds, traipse past cactus plants in search of a bunny you spot on the drive in. And the baby deer romping through the thicket, you want to enjoy their presence.

You unpack your bag and get to work, because that is why you are here. To learn. To grow. To absorb the energy that exists in this beautiful place. To look deep into your current WIP and be truthful about what needs to change. Because in order to grow, one must change, even in the way we approach our writing.

SONY DSCI was fortunate to have a dear writer friend with me. Both Nanci Turner Steveson and I had important revisions to tackle. We read each other’s manuscripts ahead of time. We took vows to be honest, painfully honest about what didn’t work, while emphasizing the positive qualities. I struggle with preferring to know where I’ve fallen short in my writing, probably because I thrive on revision. It makes me feel alive and brings out the best in me. I ask my wonderful agent to hold nothing back in terms of questions or asking me to delve deeper. The more intense a revision, the more I grow as both a person and a writer.

SONY DSCMy stay at The Writing Barn did wonders for my soul. It could have been the colorful lanterns that swing in the trees, the sound of Nanci tapping on her laptop with her headphones on, or the moments of clarity that would happen after taking a photography break outside. There is a sense of peace here, and the best writing juju. While not quite tangible, you feel the wisdom left behind by previous writers, many of them published authors. In the porch beyond the kitchen, the wooden beams hold the signatures of published illustrators/writers. Every now and then I’d look above me, knowing that I, too, would sign a beam one day.

SONY DSCWe have to believe in our writing, even when we close ourselves around our work, protecting it. Do not be afraid to do this. Think of your work as precious, like a baby fawn not ready to be on its own. For the most part, all else is beyond your control. The only thing that matters is that you do the work. Day in and day out, to the best of my ability. My father always told me to protect the energy surrounding a story, to keep it safe, until it was strong enough to send out into the world.

So that’s what I’ve been doing since I returned from The Writing Barn. Revising, revising, revising. Writing, writing, writing. Aside from that, I am living life, always thankful for the people I hold closest to my heart, thankful for the wonderful books I read each night before falling asleep, and thankful that places like The Writing Barn exist.

My deepest gratitude to Bethany Hegedus, who believed in creating this barn of wonder and inspiration and much beauty. Thank you for sharing your joy of writing with others.

wpid-IMAG0169-1-1.jpgFor more on information on booking an individual writing retreat or attending one of their classes, go to: http://www.thewritingbarn.com.

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