A Dream to Dance

The summer has presented me with challenges–one after another–and some, which I had hoped to avoid.  Having an ill parent with few options for an acceptable living environment is something I would wish on no one. It is my worst nightmare, and to avoid feeling physically sick over the situation, I try to find small moments each day to see beauty in the world, and to appreciate the wonder of others.

 

My five-year-old granddaughter is a blessing, particularly now when my family faces some of the hardest decisions of our lives. Ava makes me stop, forget about the barrage of depressing phone calls, and take a moment to live life in an idealist way.

 

In our large front yard, I am free—even for just thirty minutes—to laugh, chase Ava through the grass with our dog Merlin, and wonder at the miracles of the tiniest of creatures. We remain like statues when the hummingbirds zoom above us. We watch the bees on my Echinacea, revel in the sight of a butterfly, and kneel on the cool ground to peer into a daylily to marvel at fascinating insects, which appear to be from outer space. They are smaller than ants in actuality.

A frog leaps before us and Ava is off, chasing the tiny amphibian, catching it . . . losing it . . . and then catching again. Her hands tightly clasped, she tells me, “Grandma, the frog is berry thirsty. And he needs a home to live in.”

Just like my father, I think. Why is it that we cannot find suitable housing for the elderly where they can be respected and loved and treated with dignity? I brush the thought aside and head indoors for a small bowl. Ava follows, and my eyes stay fixed on what is contained within her grasp. “Don’t let that frog loose in the house,” I say. The cats would have a field day.

I fill a small, short container with water, and we go back outside. With great care, Ava places the frog in the bowl. It swims happily, and then leaps for freedom.

“Uh-oh,” she says, leaning over to trap the frog once again. “I think he wants some food.” With great precision, she keeps the creature safe, while using two fingers to add clumps of grass and a smattering of dirt. The frog back in the bowl, it swims the best it can among its new challenges, and then escapes.

“Uh-oh, says Ava, clamoring to catch it. The frog is faster than she is, and soon is nowhere in visible sight. “Oh, no, I didn’t find it a friend!”

“We’ll find something else.” And we do. On the porch, we discover an injured moth. Carefully, Ava scoots it onto the palm of her hand. “Oh, Grandma, he is so sweet. Can you fix him, please?”

Can I heal my father? No, and I know I can’t fix the moth’s wings, but I don’t say this to her. Instead, I follow her around the yard.

“We have to find the moth a place to rest, that’s nice. So he can get better and fly away,” Ava says. “He wants to go back to his family.” No matter how large or small a creature is, Ava is always concerned that they have a family to be with, or at least, friends.

Until our new porch is completed, all of my garden statues are under our red maple tree, and this is where she heads. After she walks around the tree, twice, Ava settles on a cherub lying on its back.

“Perfect,” she says, “This is just perfect.” She hopes the moth will survive, despite its apparent odds, and in the morning, when she checks to see if the moth is still there, she announces happily that it has flown away. The family of moths is reunited. (I find it later—lifeless and snuggled in the crease of the cherub’s wings—in a place she did look and I do not tell her.) I want her to believe the moth lived, as I wish to cling to the belief that the situation for my father will improve. I am not prepared to let go of hope. Some days, all we have is hope.

Satisfied that the moth is settled in for the night, Ava resumes her frog search, and with unbelievable luck, she finds it, or its sibling, or a relative of some sort, I guess. Her new mission is to find the frog a friend. The sun begins to set, which does not deter Ava in her quest. She carries the frog in her clasped hands, while I follow and dig where directed. I check under leaves, around flowerpots, between rocks, and anywhere else, she believes the frogs are hiding from her. In the meantime, twilight falls upon us.

“Ava, you have to find somewhere to put the frog, and not in the house.”

“I know, I know, Grandma.”

Clearly, this quest will soon require flashlights.

Suddenly, Ava remembers one garden statue not under the maple tree. “Come on, everybody!” she says. Merlin and I follow her to the backyard.

“Look, everybody, this is just perfect.” Leaning over, Ava places the frog in the middle of a statue of two frogs. “Perfect! Now, he has a family!”

Thankfully, the frog seems content; he stays exactly where Ava places him, until she runs off to chase a fleeting dragonfly.

“Is he still with his family?” she calls back to me.

“Yes.” Well, for the moment he is, before leaping through the white fencing to explore a world free of curious little girls, intent on being matchmakers or reuniting long-lost family members.

We chase fireflies until I hear the phone ring. While receiving an update on my father, Ava finds other lives to run. Once the conversation with my sister ends, I learn that Ava has played matchmaker with our cat Terrapin. Terrapin is to marry Ava’s Steiff black leopard and have two babies, instantaneously. The wedding ceremony is performed without complications. To my surprise, Terrapin does not flee the makeshift alter, and she even poses for formal photos without a single complaint. Well, maybe a glare or two. Once Ava knows that the babies are being tolerated by the new bride and groom, we settle down to read books . . . and books. I am thankful for the distraction.

Now, two days later,  I sit by the window, awaiting the return of the Baltimore orioles. I review the pictures I took with Ava, and the photos I was fortunate to have the opportunity to shoot the day before, on my way to work: a Great Egret and a Blue Heron. Both phones (cell and landline) are charged and by my side. I have already taken six calls this morning regarding my father, the first at 4 am, at a time when I was doing one of the following: ripping off covers . . . whipping them back, staring at the clock . . . trying to not look at the clock, fluffing my pillow . . . punching my pillow,  opening the window . . . closing the window, petting a cat . . . shoving a cat off of my chest.

I cannot sleep. I cannot eat. I cannot write. And with the beginning of each new day comes the knowledge that my father will be calling, at any point, to ask about my writing.

Through his pain, my father continues to check the progress of my submissions; to remind me he is running out of time. I am losing this race to find success before his last breath, but I will not give up, even knowing I cannot fix what I want to fix, need to fix.

 I will remember the promise I made to my father and to myself. Whether it is through my photography, my interactions with my granddaughter, or another creative outlet, I will find the way back to my words.

In the past, my return to inspiration has started as a low hum, which quivers like a hummingbird’s wings, until I reach out to snatch it. Other times, lightning hits, catching me off-guard. Whichever way the relentless desire to create returns, I am ready. My heart is open, and until that moment, my inspiration comes from the hawk that soars in the sky above our house each night. Drifting on the wind, it flies free and without worries. I watch and I dream . . .

I dream of dancing. I dream of dancing across the page with words and images. I dream of dancing to places only I can find, kept safely, for now, within me.

This is who I am.

This is what I know.

I am my father’s daughter.

  

New Jersey SCBWI 2011 Conference

This year the 2011 annual New Jersey SCBWI Conference took place at a new location in Princeton, NJ, where I had the privilege of working behind the scenes of such a large undertaking. While I have attended the yearly NJ conference since 2007, this was my first time I co-chaired a committee. My volunteer responsibilities didn’t stop there, I spent hours in the weeks leading up to the conference checking spreadsheets, pouring over attendees’ personal schedules, and whatever else needed to be done. Kathy Temean and Laurie Wallmark are tireless leaders, and I couldn’t help but say Yes! whenever they reached out for help. In the end, it was fun, truly. If you can volunteer for a conference, do so.

Kathy Temean planned, organized, and ran the NJ SCBWI Conference, as only she knows how to do, with Laurie Wallmark at her side. Her inspiration for creating a one-of-a-kind conference stems from her heartfelt desire to give children’s writers and illustrators the best possible outlet to improve their craft, make connections, and to have numerous critique opportunities. What conference have you been to where you can pay for more than one critique? For conference statistics: http://kathytemean.wordpress.com/2011/06/13/conference-stats-and-ideas/

The Wyndham Hotel is quite large, yet it offers a beautiful outdoors, which was taken advantage of by attendees, editors, and agents. There are trails to run or walk on, a lake to relax by, and wildlife to discover. You can easily find a chair to lounge in when your head is spinning from all the information you are trying to absorb. Ten minutes in the sun can do wonders, just ask Katia Wish, the fabulous illustrator.

The conference extended to three days this year, and brought in 13 agents and 13 editors.  Plus there were two art directors, an artist rep. and an editorial consultant for a total of 30 Industry Professionals without counting the many published authors and illustrators who shared their expertise with the members.  Kathy also invited two new literary agents to join us on Friday night for the mix and mingle, and Saturday.  For every nine peole attending the conference, there was one editor/agent. Odds were everyone got to talk to many of the faculty over the weekend. Such opportunities continue (thanks to Kathy) throughout the summer. Check for availability. http://kathytemean.wordpress.com/2011/06/08/update-on-summer-networking-dinners/

The number of generous people who donated items or time for the scholarship raffle amazed me. You can see in the pictures some of what we had to offer. This was the first time we used the main stage, and we certainly had our challenges setting up. In the end, it was successful and fun for all.

 

Excitement built over the weekend over the first time eBay auctions of the editor and agent critiques. Only Kathy and Laurie would think of doing this. It worked!

David Caruba

I am just now going over all the notes I took at the workshops I attended. There is a mound of paper begging my attention, and fighting my desire to spend the day outdoors, photographing the birds and insects. They fascinate me. It makes me see the tiniest of details, which inspires me to write.

 

Grace Lin

As for being inspired at the annual NJ SCBWI Conference, I was, many times over. What comes to mind immediately are two names: Grace Lin and Holly McGhee. I have heard Grace speak before at a NE SCBWI event, and she is charming and down to earth and sucks me in with her first sentence. Her message is to find your own voice, to not be who you think you should be, but who you need to be—the person only you can become. If we follow trends, we give up a part of ourselves, and risk the chance of losing the connection to who we truly are. It can be scary, but ignore the temptation. Honor you. Honor your unique gift. Love what you have deep inside you. Let it rise to the surface and be free, even if you are afraid.

 I see Holly McGhee, founder of Pippin Properties, standing at the podium, vulnerable, honest, as if exposing a piece of her so that we might be brave enough to follow suit. Long after the conference, her words linger in my head. Sleeping has been difficult. She touched the part of me I’ve kept hidden for so long, and now will not slip back into the darkness of my soul. I find ways to avoid it. I work long hours at the toy store, spend hours following subjects to photograph, play with my granddaughter. Anything but write about those moments. Nothing works. When I close my eyes to surrender to sleep, my body responds, while my mind does not. It is wide-awake. It screams at me. I toss and turn; try to read, and then I have no choice, because Holly’s words envelop me until I get out of bed, pad down the hall to my writing room, turn on the light, and write until the ache subsides and I can fall asleep.

This is what you want a conference to do for you. You want to learn something new. You want to see old friends and make new ones. You want to laugh, go for a walk, breath in the fresh air, write, and find a new direction to improve your WIP. You hope to make a connection with an editor or agent, but you never count on this. Mostly, you want to be inspired, to be scared that if you don’t listen to the beating of your heart, your story will never be told.

Consider attending next year’s annual conference, or any other event run by the New Jersey chapter. Trust me, you won’t be disappointed. And for those who see room for improvement, stress the positive, too. For a large event run in a new facility, kinks are to be expected. Thank you, Kathy, for listening to all, and suggesting ways to improve next year’s conference. If you volunteer, you will see how much hard work goes into running this.

For Holly’s inspirational speech, here are the links, featured in four segments. Thank you, Holly, from the bottom of my heart. You touched my life in a way that I did not expect.

http://www.youtube.com/watch?v=ygwXTuqAgj8&feature=related

http://www.youtube.com/watch?v=f5HzgXKeV1I

http://www.youtube.com/watch?v=uKDsPVZxYqU&feature=related

http://www.youtube.com/watch?v=IDFZ5Ojp800&feature=related

 

 

           

A Whale for Steven (A story for Father’s Day)

On this father’s day 2011, I share a story from the toy store. A story that affected me greatly, long after it happened. It involves the love of a father for a son, and every time I think of that day, I am reminded that gifts do not always come wrapped in pretty paper with spiral ribbon. They sometimes come in the shape of stories. This gift of a story is one that I will treasure as long as I live.

A WHALE FOR STEVEN

by Betsy Devany

Closing time has come and gone at Olde Mistick Village, the sidewalks are filled with more ducks than people shopping. Neighboring stores are dark, their doors locked, and their employees on their way home. It is time for me to call it a night.

Our marionettes swing in the breeze; the pink flamingo seems to wink at me. I gather the puppets outside to carry them into the store. Behind me there is quacking. The three ducks who rule our front yard are on alert. The white leader honks at a lone male that slipped under the fence and entered their territory. The leader’s two sidekicks join in the chase, nipping at the uninvited younger mallard. The white duck pecks at the intruder’s neck; his wings flap with agitation.  I move towards the gang of birds, clapping my hands until they separate.

“Do you break up fights every day?”An older man walks in my direction, followed by a younger man. With the same chiseled chins, the two are clearly father and son.

“This is the first fight I’ve seen today.”

“You still open? We won’t be long, I promise.”

“Uh . . . sure, yes, come on in.” I smile.

“We need to hurry, Steven. This woman wants to close.”

Steven, who looks to be in his late thirties, dashes into the store. “Whales, where are your whales?” His attention shifts rapidly from shelf to shelf. “I need a whale.” He looks up. He looks down. Lions are pulled from their shelves. Tigers. Bears. Cats. Dogs. None of the stuffed animals are right. Hoping to locate the whale he remembered having as a child, Steven continues to push toys aside. He mutters, “Big. Brown. Brown with beans . . . Big. Brown. Brown with beans . . .”

“He’ll never find it, not the way his was, with the fabric worn around the tips of the eyes and the end of the tail from his constantly caressing it.” His father adds. “And the head was flat from Steven leaning into it, night after night, when he was a child.”

Steven, who has traveled over an hour to get here, is missing more than just a stuffed whale from his childhood.

We do not sell brown whales in the toy store, nor do we sell giant whales. The largest we have is a 24-inch white beluga whale. I hand Steven the beluga.  He brings it close to his nose, leans his cheek against it, and slides his face back and forth brushing the fabric. “Do you have a bigger whale . . . brown whale . . . filled with beans?”

“No, we don’t, I’m sorry.” While I search for anything close to what he describes, Steven paces . . . and paces . . . and then he notices the three-foot lobster displayed on a high shelf above his head. He stands on his tiptoes and reaches for the stuffed sea creature. “This will do,” he says.

“No, Steven, we’ve done this before.  You’re not thinking clearly.” The father takes the lobster away and leaves the beluga whale in his son’s arms. He sighs—a long sigh. His hair is grey and thin. He removes his glasses and wipes them clean. He sighs again, and then says to his son, “We’ve made these trips over and over again, from New York to Massachusetts, and to anywhere else that might hold the promise of a brown whale. Steven . . .  Steven, look at me, son.”

Steven’s hold on the beluga whale loosens. I catch it before it hits the ground. “We have catalogs. Perhaps I can find a large enough whale for you,” I say and hand him back the beluga.

The ends of the father’s mouth turn up, forced out of kind appreciation.  “That’s nice of you, but we’ve been looking for a very long time. I never know what he wants.”

I head to the back stock room, grab six catalogs, and carry them to the front desk. Steven follows me, his arms clutching the beluga.

“How big of a whale do you want?”  I ask.

“Very big.” Steven focuses on his shoes while clinging to the toy. We go back and forth.  I flip through pages. He peers at pictures. “No, not right,” he tells me again and again.

His father stands next to him. “Steven, look at me.  Look at me, please.”  Finally, Steven lifts his eyes. “We aren’t going to find a whale. Not like your whale.”

“I want a whale,” says Steven. “I want a big, brown whale with beans.”

“Steven, we need to leave. This kind lady wants to go home.”

“My whale, we came to get my whale,” Steven reminds his father.

The father turns away from the counter and gently tugs at his son’s arm. Steven digs his heels in. Thirty minutes have passed since they first walked into the store.

“Tell me about your whale,” I say.

“He doesn’t know what he wants. I’ve been looking and looking—they just don’t make toys like they used to.” His father tugs again.

“Steven, what did you love most about your whale?”

Steven turns, looks at me, and walks back to the oak counter. He runs his hands along the wood.  “I liked the way the beans inside felt.”

“They don’t make animals with those beans anymore. Too many safety concerns,” I say.

Steven swirls his fingers around the shape of a large knot in the oak.

His father sighs. “Thank you for trying, but he’ll never understand.”

I arrange the pens next to the register; straighten the shopping bags. I glance in Steven’s direction. “Besides the beans, what else did you love about your whale?”

“Soft, it was soft . . . I could sleep on it.”

We have a two-foot penguin, but it is not soft.  We have large stuffed dogs, but they are not whales. We have a three-foot lion, but the color is tan, like a pale honey.

Then I remember Gus. “I have a bear, a large bear,” I tell him. “And it’s brown.”

Steven studies the floor. “I want a whale. I need to bring a whale home tonight.”

The three of us stand in silence. I check the time. The owners must be wondering why I haven’t called with the day’s sales.

“Let me show you the bear,” I say.

“It’s hopeless. We’ve kept you long enough,” the father says.

“I’ll be right back.” From the stuffed animal room, I carry the three-foot floppy bear to the front desk. Gus has lived in the store for quite some time now. Before I close up at night, he gets an extra pat.

“He’s very soft,” I tell Steven.

“It’s not a whale.”

Now I am the one studying my shoes. “I won’t be able to find you a large whale tonight.  Just hold the bear, see what you think.  He’s brown and soft. You can lean into him.”  I hand the bear to Steven, who pushes his nose against Gus.  He plops Gus against the counter and leans into him. “He is soft. I like him.”

Yes, I like this bear myself—very much.”

The father pulls at the price tag. “The bear is $130. You didn’t bring enough money.”

Silence returns.  I shift the catalogs together and form a single stack, place them on the floor while the father stares at the door. Steven’s face is buried into Gus’s fur.

I want to buy the bear for Steven, show him he can love Gus as much as the whale.  I want to watch him walk down the sidewalk with the bear in his arms, even though it’s always hard when I let go of a stuffed animal I’ve grown attached to, but Steven did not bring enough money.

Then, holding the bear tightly in one arm, Steven reaches into his pants pocket.  He removes a black leather wallet, worn with holes visible at every corner. It is a wonder the wallet doesn’t explode all over our wooden floor. A penny pokes through one end, but does not fall out. His wallet is thick with papers, some yellowed, some coated in a worn plastic. There is almost five inches thick of paper memories.

His father settles into a stance; feet spread apart, firmly planted on the wooden floor—a familiar routine, I imagine. His hands out of his pockets, he turns his palms upward, as if waiting at a communion rail.

Steven pops the wallet open and forms the shape into what appears to be a triangular leather cup. “I want the bear,” he says.

“Let’s count,” says his father.

Steven places two twenties on our wooden counter, then another crumpled twenty.

“How much is that,” asks his father.

“Sixty,” says Steven with confidence.

I separate the bills. “Eighty, you have eighty dollars here.”

Steven pulls out a five and a ten—ninety-five. When he stretches the leather further, the penny falls to the floor, where it remains. Next, come the one-dollar bills, all carefully folded into triangles, the points as worn as the wallet.

“One. Two.  Three,” he counts.

There is something magical about the wallet, which is not diminishing in size.  Instead of pulling rabbits from a magician’s hat, he conjures up one-dollar bills out of faded leather. How does the wallet hold all of the tightly folded shapes?  I expect him to run out of money, yet Steven continues to hand another and another dollar bill to his father, never looking up or breaking his rhythm. Not once.

His father unfolds and flattens each bill, using a quarter to work out the creases.

The stack of money on the counter grows higher.

I wait and watch.  “Why do you fold the dollar bills into triangles?”

Holding one bill in his hand, Steven lifts it to the corner of his right eye. “When I’m sad . . . this makes me feel better.”  He taps the edge of the triangular shape against his skin. Three times. He passes the bill to his father.

“May I ask what Steven has?”

The father talks and talks and talks, like a dam overflowing. Like a man who hasn’t been noticed in years.

I cannot tell you what the father was wearing that day, but I can tell you his words—his story. I can describe the medicine bottle he has carried in his pocket from the seventies, day after day, year after year. The label so worn that it barely reveals the name of the pharmacy. Except for the lingering chalky stink of medicine, the bottle remains empty. The father rolls the medicine bottle between his palms as he tells me that the colored dye in the medicine, administered when Steven was a baby, caused a cerebral allergic reaction. Steven has two markers of autism, and some mental retardation. Years later, they learned that the damage was irreparable—long after Steven’s mother left, taking his brother and sister with him. Steven was six years old at the time. The mother changed her last name, never contacting Steven and his father.

The father talks and talks while Steven continues to pull one-dollar bills from his wallet. He earns $100 per month, emptying trash containers at a pharmaceutical company.

“You really love that wallet,” I say.

Steven nods, eyes still downcast, his larger lip protruding over his top lip—almost swollen looking.

“When did Steven lose his whale?  Do you have a picture?”  I ask the two men, one talking and talking, the other pulling triangles of money from a worn leather wallet.

His father quickly shakes his head.  “No, not with us; it upsets him.”

“It makes me sad,” adds Steven.  He taps the corner of his right eye with another folded dollar bill.

“Six, he was six years old,” says his father.

I lose count of the money on the counter; imagine Steven as a six-year-old boy snuggled against his mother, the whale by his side until the two of them banished at the same time. Is his search for a whale or a mother who abandoned him?

“You only have $128. Are you sure this is what you want?” the father asks.

Steven hugs the bear to his chest. Gus’s feet dangle at his knees. “I want the bear. It’s a soft bear.”

“You don’t have enough money,” his father tells him.

Steven opens his wallet. He peers into it, pulls out the yellowed papers. The magic is gone.

“I . . . I can give you 10% off.”

“You don’t have to do that,” the father says.

“Yes, I do.” I smile and ring the sale through, recount the money and hand him $4 change. I make a mental note to pay the difference after they leave. Steven immediately folds the dollar bills into triangles before tucking them into his wallet.

“I hope the bear makes him happy.” The father strokes Gus’s arms. “I never see any emotion from him anymore, he’s on so much medicine; it numbs his emotions, his personality. At least he doesn’t scream and cry like he used to. But he never laughs or smiles, either.”

“I’m hungry,” Steven says.

“What do you feel like eating?” I ask.

“Steak!”

I give the father directions to a nearby restaurant and recommend they walk through the village so they can stop at the pond to admire the newly hatched baby ducks.

“I have to put my bear in the car first, so he’s safe,” says Steven.

The two men step outside the store. I bend over to unlatch the door in preparation for closing, and as I do, Steven turns to me and smiles, revealing slightly yellowed teeth.

“You have a beautiful smile,” I say.

The ends of Steven’s mouth turn up even more. Now his father grins. “I haven’t seen him smile is such a long time. It is worth more than the cost of the bear, more than the time in the car and the price of gas.”

“I hope your search is over. How long has he been hunting for the whale?” I ask.

“Thirty years, just Steven and me, we’ve been looking for thirty years.”

Steven’s smile is broad. He is thirty-six years old and no longer fixated on his shoes.

“Thank you for listening,” the father says. “Thank you for allowing me to go on and on.”

“Thank you for sharing your story. Have a nice night.”

If  I could, I would have found them a large, brown whale filled with beans. But all I found was a bear named Gus, and for once, it seemed to be enough.

What is An Antagonist?

After attending the recent New Jersey SCBWI Annual Conference, I had to make an unexpected trip to Miami. When my family calls for help, I get on a plane. I’ve earned a lot of miles this year.

On a better day towards the end of our trip, my sister and I ventured into the Florida Everglades, though we didn’t last long. She quickly became tired, and then a storm came through. Before we headed back to the hotel, I managed to take this picture of the sky. You can see the dividing point where the rain ends. I find it quite fascinating and beautiful.

In the moment when I took that picture, I thought about weather, how powerful it is, and how much damage it can do with little or no warning. This brought to mind the topic of antagonists because in some novels, weather provides the conflict in the story.

On the drive back from our short trip to the Everglades, I considered the meaning of antagonist, mostly because the topic came up at the recent New Jersey SCBWI Conference. What is an antagonist, and do all stories require the presence of one? The answer is yes. All stories need conflict. Something needs to get in the way of your protagonist to thwart their continued efforts to achieve a goal or fill a need or want.  

The question that arose in the workshop was whether an antagonist had to be a person. The answer to this question is no.

A quote from Wikipedia:

An antagonist (from Greek ἀνταγωνιστής – antagonistes, “opponent, competitor, rival”)[1] is a character, group of characters, or an institution, that represents the opposition against which the protagonist must contend. In other words, ‘A person, or a group of people who oppose the main character, or the main characters.’[2] In the classic style of story where in the action consists of a hero fighting a villain, the two can be regarded as protagonist and antagonist, respectively.[3] The antagonist may also represent a major threat or obstacle to the main character by their very existence, without necessarily deliberately targeting him or her.

On that day in Miami, we dealt with more than one antagonist: the weather and my sister’s illness. Both thwarted our plans to enjoy the beauty of the Everglades. If the alligator had jumped any higher out of the water, I would have listed that too.

An antagonist can be devastating weather, an incurable disease, or the racist attitude of an entire community, among many other possibilities. The protagonist can also get in their own way caused by their behavior. This situation can make the most interesting of stories, though it is more difficult to pull off in an effective manner.  Consider that your main character is a sociopathic liar. They may yearn to connect with others and to follow a path of honesty, but their personality doesn’t allow them to change. Who or whatever keeps your protagonist from getting what they seek is the antagonist. Without this element, you have no conflict, and thus, no story. Or at the very least, an incredibly boring story, which elicits no desire, on the part of the reader, to turn the page.

Elusive antagonists are far more interesting and provide a steeper challenge for your protagonist.  It is easier to combat a person than an attitude or an uncontrollable part of yourself that you’ve yet to reckon with. Think about the alternatives when you create your antagonist. What places the biggest blockades in the path of your main character? Don’t make it easy on them. Keep the storm coming, and make it elevate in intensity. Slather the pages with conflict.

In the end, this will improve your story. So no matter who or what your antagonist is, lay it on thick. And have fun creating those antagonists. I know I do.

Why It’s Easier to Kill My Darlings Than Tame My Spider Plant

One of the topics discussed at last week’s NE SCBWI conference was the importance of ridding your manuscript of overgrown scenes, useless characters, and runaway descriptions. If you don’t pay attention to where your story is going, there is a good change it will run wild.

Wild is exactly what happened with my spider plan—the one that currently hogs the ledge of our bay window.  In the past year, the plant has thrived, and now our front yard view is no longer paramount. There is something in the way, and that something is green.

I have had this plant for years. My mother first brought it home in the mid-nineties. It flourished until the day she moved to North Carolina, which is when I promised to take care of it. At the time, I knew little about caring for plants, especially indoor ones, but I feigned confidence. Shortly after she left, the plant began to wither. I watered it. Perhaps too much. Perhaps too little. Whatever the reason, its future became evident—all too soon. There was nothing pretty about it.

I tried to ignore the signs. Stems curled at the ends where the green had turned the color of dirt.  Pieces of plant dropped to the ground, where they lay lifeless, until I was inspired to vacuum. And there was the fact that my husband suggested, more than once, that the garbage can was an alternative habitat for the spider plant.

The signs continued, and whenever my mother asked how the plant was doing, I changed the subject. Then one day, it dawned on me. I was killing something that meant a lot to my mother, something I had promised to take care of. When I shared my epiphany with my husband, he said,  “It’s only a plant, Betsy.”

I sought the help of garden experts, friends, anyone who might help me rescue the plant I was clearly obsessed with, and was almost beyond hope.

Paying heed to the experts’ advice, I tried new ways to aid the plant’s recovery. I talked to the thing. I begged it. I even cursed at it, and then, with luck, patience, hard work, and perseverance (all traits a successful writer needs) the spider plant leaped from the edge of death and responded with vigor to all the attention that I gave it.

Again, my husband reminded me, “It’s only a plant, Betsy.”

Yes, but it was so much more . . . which brings me back to writing.

We all have those darlings in our manuscripts, you know, the characters we come to know and love. Their every appearance on scene gives us the greatest of pleasure. They make us laugh. They make us cry. They offer absolutely nothing to the plot. Nothing. Aside from our darlings, there are those long and flowing passages filled with evocative descriptions that also offer nothing to the plot. Whether it’s a character or a description or a setting or a superfluous scene, the presence of certain elements can thwart the very essence of our manuscript and change the view we intend to create. The reader cannot see through the window into our story. There is something in the way. Like an overgrown spider plant.

What does one do?

A professional or seasoned writer will tell you to get rid of them. “Kill them,” they say. “Toss them from the pages of your manuscript without remorse.” “Have a drink and relish in hitting the delete button over and over again. It will feel great!”

Will it?

These conversations are typically one-sided and contain little or no feeling of mercy or remorse. You, on the other hand, are overwhelmed with the sense of loss, guilt, and shock, mostly because the expert’s suggestion comes with added enthusiasm and much delight over the process. You sit there speechless. They pump their fists in the air, hungry for another stimulating experience of killing beloved darlings; of deleting entire chapters with the tap of one button.

I understand the experience now, and I will tell you that it is freeing—and fun—to let your darlings go. I do hug and kiss them and apologize profusely first, oh, and I promise to use them in another manuscript, perhaps feature them as the main character. (I will do anything to lessen my guilt connected with the characters I create, or rather listen to when they appear from nowhere to tell me their story.) As for superfluous scenes or descriptions, I have an Everything Deleted out of Necessity document where all of this goes. You never know when you may need something.

It is for the best of your manuscript. Trust me. I feel your pain. I know your struggle. I am there too—not with the writing—but with the plant: that over-grown spider plant that continues to grow and grow and sneer at my husband with glee while it expands across the windowsill and redefines our view of the front yard.

While I have not yet tackled the plant, it seems I may not need to. Not only does the green beast irk my husband, but now also our two cats—and our two visiting cats, who were supposed to stay with us for one week, and now six months have gone by. After incessant arguing over which one cat gets to sit on the limited portion of sill unclaimed by the green beast, they cats have joined forces. They discuss their strategy at night while I am trying to sleep, as cats will do. What exactly is their Kitty Plan of Attack? They bat at the baby plants, chew on the leaves; use their teeth to pull on the dangling offspring. If my view of the front yard does not soon improve, at least there will be room for two cats—not one—to soak in the sun. May this bring some peace to our household, because I am not about to kill my mother’s plant. Even though, it is just a plant.

And yet, it is so much more . . .

In closing, I leave you with a quote of my own. (This week I seem to be stuck on W words.)

The words we write must awaken the senses of the reader. They must bear weight to the world we have created. Why? You want the readers to wonder, to wrestle with their own thoughts, and to always want more. Meaningless words wander aimlessly across the page in a waste of space. They attribute nothing wondrous at all, except to become a wall, which stands in the way of our readers’ wants and needs.   Betsy Devany 5/11

The NE SCBWI Annual Conference-2011

I am still reeling from this past weekend: a glorious three days spent with writers, illustrators, and professionals in the field of children’s literature. The NE SCBWI conference was a thorough success, and not just in my opinion.

Something was different this year. Maybe because we were enlightened by the presence of the SCBWI founders Lin Oliver and Stephen Mooser. Or perhaps it was that the writing goddess, Jane Yolen, captivated us. Whether she was speaking, walking the hallways, or signing books, she brought her brilliance, her passion, and yes, her wonderful sense of humor to the event.  Add the one and only Tomie dePaola to the mix and the almighty Harold Underdown–at times sporting a Boston Red Sox hat–and . . . talk about surreal.  I was in writing heaven! And on top of this, we had the opportunity to watch a screening of Library of the Early Mind. Everyone, at least in the field of writing for children, needs to see this. We were honored to have the two filmmakers present: Edward J. Delaney and Steven Withrow.

Richard Michelson had us on the edge of our seats with the story of how he became a prizewinning poet and children’s book author.  I plan to visit the R. Michelson Galleries located in Northampton, Massachusetts. You should too. His speech surprised me at times, but went right to the heart. Good writing at its best.

In truth, every speaker, including all the workshop presenters, was fabulous. In between workshops, the hallways were filled with glowing comments.

My head spins from all the information I obtained, the wisdom I absorbed, and the inspiration that now fuels my writing. So much so that I have put aside my notes and let my subconscious do what it does best.  As always, once I get all my new ideas on paper–thus to lessen the overcrowded feeling in my brain–I will sort through my notes and organize them accordingly. (I will blog about this actual process in the coming weeks.)

Like Whispering Pines, I plan to break up my posts on the conference, partly because I am bogged down with preparations for the upcoming New Jersey SCBWI conference. I am a committee member and volunteer, and I have lots to do before I head down Interstate 95 for Princeton, New Jersey.  (For those attending the conference, I look forward to seeing you. Please seek me out to say hi if we haven’t met before!)

Thank you to the conference committee for all their diligence and deep commitment to having the best conference possible. They achieved this goal, and much more!

I am eternally grateful to the Ruth Landers Glass Scholarship committee for choosing my middle grade novel, Savannah’s Mountain, to be this year’s recipient of the award. I humbly join the list of past winners, and I promise to honor, more than ever, my commitment to writing quality children’s literature. My congratulations to all the illustrators who won at this year’s conference.

The word I will leave you with is the word I remember the most from the conference: community. It came from Lin Oliver, and I cradle that word in my soul where it keeps me warm, and not feeling so alone at those moments when I need it the most.

Community. Let the word roll off your tongue. Feel its power, it’s undying support. In the business of writing for children, we are fortunate to be a loving and sustaining community—unlike so many other professions where greed and jealousy prevail. Writing and illustrating is a solitary experience. But we are not alone. We are in this together, supporting one another, cheering one another, and encouraging our peers. Yet, we must honor the necessary process of being by ourselves. We must close the door and find that place, which takes us out on a limb, alone. Sometimes scared, but hopefully always driven to create. To create the very best that we can.

Keep that sense of community before you escape to the work that only you can write. Then turn off the phone, the internet, the fighting desire to sink your bottom into the couch and flit from site to site, from Face book to Amazon ratings, to anywhere else because you fear the empty page.

You are not alone in that fear. Yours is not the only empty page being stared at. At this very moment, all over the world, there are writers and illustrators and creators–your vast community–having those same thoughts. Fighting those same struggles.

Believe in yourself. Give the world your very best work. Create what only you can create. And always, always, feel the support of community. Know that when you reach a personal milestone your community celebrates with you. Be thankful for this. I know I am.

I will be back next week with more from Celebrating Milestones. Thanks for stopping by!

Good News and A Promise to My Father

The past few weeks have been crazy for me. I spent another week in NC, tending to my parents; I returned home to find over forty manuscripts waiting in my pile of mail to be sorted and distributed to the proper agent or editor; and I had a slew of NJ SCBWI raffle donation emails to respond to.

I also held a secret—a secret I had learned two days prior in the presence of my father.

 

After an afternoon of doctor appointments, my father sat in his wheelchair in the living room. As tired as he was, we needed to discuss his wishes. The topic: when parents age, what becomes most important is quality of life, not quantity.

“I want to write and spend time talking to and being with my family,” he said. “That’s all. No more hospitals.”

“Okay, dad. No more hospitals,” I said, knowing what that meant. Yet, I understood his deep desire to write, and his need to feel up to doing so.

He, in turn, understood my mixed feelings about his decision. Instead of taking a much-needed nap, he wanted to help me. (At that moment, I knew why I am the way I am.) I am proud to say I am my father’s daughter.

Even in pain he reaches out to us. He supports my writing and relishes in my small successes. Every day, his attitude inspires me. Recognizing my struggle with his decision, he began to tell me his wonderful stories. He talked. I listened and laughed, while arranging books in the living room. (I had just purchased two tall wooden bookcases for the apartment.)

I want my father to get better, but he needs to be able to write. Just as I need to write. Like I need to breathe, eat, and sleep. This is when we are at our happiest.

I am certain the seed for this desire came early in my life, planted by my father—a lifetime writer, and my mother—a lifetime reader who studied children’s literature at Bank Street.

Looking over at him, I thought about this, when my cell phone rang. I had won the 2011 New Voices in Children’s Literature Tassy Walden Award—middle grade category. My entry: Savannah’s Mountain.

My dad stopped telling his stories. He sat in his wheelchair and listened to me. He listened to me be astounded and humbled.  He listened to me cry.

Being in his presence when I received the news is a moment I will cherish forever.

After I shared the secret phone call with him, he asked how my writing was going.

 

I can’t write right now. I have to take care of you and mom. There is too much going on.”

“Then do something else creative to fuel your writing. To help you relax.”

“Okay, dad, I’ll go outside and take more pictures—only if you promise to rest.”

He stared at me in the way that lets me know he is thinking, so I waited until the words came. “The ability to write is a gift, never to be taken lightly.”

“I know, Dad, and I don’t.”

“You must love the gift. You must care for the gift. But most importantly, you must feed the gift.”

“Feed the gift? Is this another ploy to get more Skittles?”

“No, I have some left, but if you’re going out later . . .” He reached into his shirt pocket and took out a package of his favorite candy. After eating one piece, he continued. “You feed the gift by writing as much as you can. Wherever you can, even when life throws hardballs at you, one after another.”

“Like now?” I asked.

“Exactly like now. Life will always throw challenges at you, and there will be times when the world seems ruthless and unforgivable, but you can’t let that stop you from doing something you love. You have to make yourself a promise.”

 

Savannah’s Mountain involves promises, and the need to keep and honor a promise. So it seems fitting that before my dad headed for a nap, he asked something of me. “Promise me you will keep writing, even when I’m gone.”

I can’t imagine a world without him, without being able to pick up a phone to call him, or see and talk to him on Skype. A world without his humor and Skittle seeking schemes is a world I don’t want to imagine, not now, not yet. But my father asked me to make him a promise, so I did.

“I promise, Dad. As long as I’m breathing, I’ll continue to write.” I pushed him to his bedroom, gave him a kiss, and headed outside with my camera on my shoulder. After I took some of the photos I am sharing in this post, I found a quiet place overlooking bird feeders, blooming iris, and a family of deer.

I did as I promised. I wrote for my dad. I wrote for me. I wrote for the sheer joy of writing.

 http://www.shorelinearts.org/tassywalden.cfm

http://www.norwichbulletin.com/living/x767232538/Ledyard-woman-wins-250-prize-for-unpublished-childrens-book#axzz1M8v0Toiw

http://paulakaymac.blogspot.com/2011/05/writer-spotlight-betsy-devaney.html

A Bath For Big Bear

May - July 09 Norman 127For years, Norman the gorilla sat in front of the toy store. He posed with customers, listened to children tell stories, and he even let crying babies sit in his lap. 

But  then Norman began to wonder. Was there more to the world besides sitting on a bench, day after day after day?

So he asked to visit my house, where  he sat in our swing, climbed the Japanese maple tree, and then announced, “I’m going to publish a book. If you need me, I’ll be in your writing room.”

“You have to go back to work tomorrow,” I said.

 

DSC08344“I don’t think so,” said Norman. “I’ve decided to write my autobiography. It could take me years to find an agent.”

“Years? Agent? Then who will sit on the bench?” 

“Ask the giraffe,” said Norman, who when asked to reconsider, said, “My swinging days have only just begun.”

Norman, it seemed, had a new life.

DSC05038The bench empty, Gerdie the loves-to-gossip chicken spread rumors around the store. Soon, all the animals wanted to audition for the job. The giraffe was too tall; his head bumped the porch ceiling. The rhinoceros was too long; his bum exceeded the width of the wooden bench, three times over. The monkey was too unpredictable; he swung from the rafters and surprised customers by jumping on their heads.

Something had to be done.

We tried dogs. Big stuffed dogs. Small stuffed dogs. Even real dogs. They barked too much. And then there was the goat, but that story is for another day.

In utter desperation, we called a meeting of the village ducks. Might they take turns sitting on the bench? Even with the incentive of extra duck food, the ducks declined the offer. 

What was the toy store to do?

046_46Then one day a large box arrived. It had to be opened outside; it did not fit through the door. What was in the box? A parade of waddling ducks  stopped to see what was happening. “Quack,” said one. 

Finally, the sides of the box split open, and out fell Big Bear. 

Big Bear smiled at us. We smiled back, until . . . 

“Was Norman this big?” someone asked.

None of us could remember, so Norman agreed to set his writing aside for the afternoon, and drove to the store so we could compare the two.

Norman sat on the bench.

Bear tried to sit on the bench, but his Big Bear bum tipped him over.

After Norman offered sitting-on-a-bench tips, Big Bear accepted the job.

norman and big bearMonths went by. Years, even. Bear greeted people. He posed for pictures. And then he began to get dirty from being loved so much. Children shared their ice cream, cotton candy, and fried dough coated with powdered sugar. “A bear that big needs a lot of food,” said a kid with his plate at Big Bear’s mouth. 

After a DO NOT FEED BIG BEAR sign was put outside, kids jumped on him instead.

“I didn’t sign up for jumping,” said Big Bear after he asked for an early-retirement package and announced he planned to move in with with Norman.

“There’s no room for you at my house,” I said, helping Big Bear back onto his bench. “I’ll ask people to be more gentle.”  

And it worked for a while, until a child insisted that Big Bear had asked to finish his chocolate ice cream with sprinkles. 

It was time for Bear to have a  much-needed bath.

The next day it rained and rained. I came ready with a bucket, a scrub brush, and a hair dryer. 

I looked at bear. He looked at me. “Oh, dear, Big Bear, you are very, very large. This may take all day,” I said.

First, I showed Bear a yoga pose. (His feet were the dirtiest, and this was the only way for me to clean them.) Bear rolled over on his head. “Good Bear,” I told him. “Now stay like that while I fill your bucket.”

At the sink, I mixed soap with hot water. I carried the bucket back to Bear.

Bear was no longer alone. Bossy Frog’s babies, who are very, very curious about all that goes on in the store, had wandered over (or rather leaped) to see what I was doing. They stared at Bear. Why was he not on his bench? Why was he upside down? Did he want to join them in a game?

Bear stared back. Why were Bossy Baby Frogs sitting on his head?

After promising the frogs they could help, I began to scrub and scrub and scrub. Bear was patient as could be. Baby Bossy Frogs were not as patient. Besides being very, very curious about all activities in the store, they are also very, very chatty. “When was I going to be done?” asked one. “What do we get to do?” asked another.  “I want to be in charge,” said the most bossy in the bunch of bossy baby frogs.

“Try standing on your head, like Bear,” I told them. So they did. For a long, long time. As long as bossy baby frogs can stand on their heads.

“Am I done?” asked Bear.

“Are we done?” asked a frog. “Yes, my head hurts,” said another. “When can I be in charge?” asked the baby frog much bossier than the rest.

“Yes, Bear, you are almost done. And now, Bossy Frogs, it is time for you to help.”

“Hooray!” said one. “Me first!” said another. “I’m in charge!” said the bossiest of the bunch.

Big Bear waited patiently while the bossy baby frogs argued over who would do what. Finally, they came to an agreement.

And by the end of a very long day, Big Bear was finally clean and dry, ready to return to work in the morning. 

If you are in the Mystic area, stop by and say hello. Big Bear loves to give hugs, as long as you don’t offer him any food, or run into him at high speeds, thinking he’s a trampoline. 

 

 

 

Ducks, Dragons, and a Super Hero or Two

This month, the ducks of Olde Mistick Village have come out in full force. Unannounced as usual, the annual visitors have returned to the large pond with the intention of staying until Labor Day. Our permanent resident ducks now count for one-fifth of the current duck population. The mating has begun.

Ducks waddle up and down the sidewalk, usually in pairs, or groups of three.  They chase one another–in the large pond, through the grass, and anywhere else their webbed feet will take them. The fences that line the storefronts are no challenge; they dart under or fly over. In a sense, the ducks rule the road. But like children, they can get out of hand, and this is where I come in.

Now is the time of year when my job at The Toy Soldier takes on another responsibility. Aggressive ducks, especially male ducks being overtly ruthless with females, require duck interventions. With the aid of a rolled-up newspaper, I create loud noises to disrupt their behavior. Most times, it works.

There are those moments during mating season when visiting children witness the male ducks biting the necks of the females. It disturbs the majority because they think the ducks are hurting each other. Unfortunately, sometimes this does happen. Last year, we lost two females to over-aggressive visiting males.

This is a part of nature, as I’ve tried to explain to my five-year-old granddaughter. She is now well aware of why the seagulls hover near the ponds. They watch for unattended baby ducklings, yet to be born this year at the village. Soon, this year’s babies will begin to make their appearances. That is, if the neighboring skunks and raccoons don’t disrupt the eggs. I try not to think about this too much.

With the odds against the babies growing full-term, only time will tell if we will be graced with families of ducks entertaining and delighting visitors of all ages. I can only hope so, but until then, the adult mallards and other ducks, including one lone goose, put on their own performances. Especially when it rains.

 

 

 

 

 

Last Tuesday, it rained and rained and rained. I dusted, checked in new merchandise, redid a few displays, and lined up the stuffed animals. Every now and then, I glanced out the window to check for any brave shoppers who had come prepared with large umbrellas. And reliable rain boots.

No umbrellas. No children wearing colorful boots resembling ladybugs or frogs or puppy dogs or ducks. Only real ducks. More specifically, the gang of three who rule our end of the village.

As first, I didn’t see them, but once I followed the direction of the quack, quack, quack, I spotted the threesome on  their afternoon waddle around the neighborhood. They were marching away from the toy store in the direction of Mystical Elements. I wondered if they planned to get psychic readings, and what their webbed feet might reveal about their futures.  Just as they passed the store, they turned around and headed in my direction. Was I possibly going to make an afternoon sale?

No. The ducks were not interested in our newest arrivals: puppets, books, science kits, and habitats for bugs. When their leader, the darker duck, headed up our walkway and quacked at me for food, I apologized for being out of duck nuggets. I assured him that I did not eat the leftover nuggets for lunch, even though I was starving and had forgotten to pack food for the day. (The last of our duck food had been given to a child who wanted to feed the ducks, and didn’t have a dollar.)

With no free food available at The Toy Soldier, the ducks waddled across our sidewalk to Garden Specialties. Duck in Charge turned right towards the parking lot to head home, while one of the white ducks seemed to be interested in a stone garden pedestal. Ignoring the others, Duck in Charge continued on his way, while Rogue Duck checked out the price tag. Perhaps he envisioned his duckiness perched on top of the pedestal, ruling the duck community. Whatever caught his eye in the first place, he quickly decided that the pedestal was either too expensive for his taste or wouldn’t fit in the ducks’ living space. The item was left behind for another shopper to buy.

 

 

 

 

 

 

Not long after the duck parade passed through town, a family with a young boy came into the store, umbrellas and all. Temporarily mesmerized, the boy stood in the entrance to The Toy Soldier until he could find his words. “Wow, oh, wow! I love this place. This is the best place in the whole wide world, maybe even the planet. Maybe even all the planets. Do you see this place, do you, Mom? Do you, Dad?”

“It’s pretty special,” said Mom.

“Awesome,” said Dad, heading for the collectible cars.

“This is my kind of store, people. I could live here forever!”

When I asked him his age, he said, proudly. “Five years and four months and twenty days old. Guess when my birthday is.”

“. . . okay.” The pressure was on. He smirked at me. Like I wouldn’t get the correct answer. I thought, thought, thought.

“Times up,” he said, leaning on the counter with a wider grin, if that were even possible.

“But . . .” I reached for the calculator, added, then subtracted, and surprised him (and myself) by guessing the right date. Phew!

 “You’re smart,” he said. “But can you fight dragons?”

“Dragons? What kind of dragons?”

“Like that one!” He pointed at the two-headed dragon figurine breathing fire. “That is a huge, HUGE dragon. And it breathes very hot fire.”

“Yes, it does. Pretty cool, huh?”

“His breath is so hot, it’s like volcano breath, and I need to fight him. I have to fight all the dragons with fire breath before they destroy the planet. I need a sword. We have to hurry. They’re coming to get us.”

“I can help you,” I told him, and then whispered, “Follow me and I will show you where the magic swords are. Maybe you could protect me too.”

“Okay, let’s go!”

Up the  ramp, we started for the Magic Sword Department, until something grabbed his attention: the rack of pop-guns.

“Wait, this might be more magic than a sword.” Pop.Pop. Pop. Pop.

“Carlton! No guns,” said his mother.

“Where’s Dad?” asked Carlton. “Dad? DAD!”

Carlton’s dad slipped away from the room of collectible soldiers. “Carlton, no guns. You heard what your mother said.”

“This stinks like one of your fart’s, Dad.”

“Come on, Carlton, the swords are much better than pop-guns,” I said.

“They are?” Pop. Pop. Pop. Pop. “Are you sure? Are you really, really sure?” he asked me.

“I am really, really sure.”

His mother winked at me. His father mouthed  “Thank you.”

We continued to the back of the store. To access our upper level, you must first pass the Pink Room, which is where Carlton’s feet stopped moving.  “This is girl stuff. I’m not going through here. I don’t like pink.”

“Are you a true knight, Carlton?”

“Maybe.”

“A true knight is brave enough to travel  through the Kingdom of  All Things Pink. They have to, if they want to reach the Land of The Magic Swords.”

“They do?”

“Yes. You’re a brave knight, aren’t you?”

“No, I’m just a kid, but you can call me  Super Dragon Destroyer.”

“Wow, can I get your autograph?”

“I can’t spell Super Dragon Destroyer, how about a  high-five?”

We high-five, after which I reached into a wooden barrel to grab a sword. I handed him the black and silver toy weapon. “I only show these to the ones who can truly fight the dragons,” I whispered.

“That’s me!” Carlton said and swiped the air with the sword. Swish. Swish. Swish. “Wait, you need one too, so we can battle the dragons together.”

I took a sword for myself, and then together, we headed back down the wooden ramp, swords drawn. “Charge!” we said and pointed our rubber weapons at the display of dragons.

“I got him. I got the fire one!” Carlton ran to his parents. “The planet is safe.”

“What would we do without you, Carlton,” his father said.

“Can you buy me the sword now?”

Sale completed, I watched Carlton run down our walkway. With his magic sword held in front of his body, he swiveled in all directions, ready for any dragons that might appear from behind the bushes.

The dragons defeated, I prepared for my next battle; the ducks were at it again. A group ran past me, flapping their wings. Three males chased a lone female. Still holding a sword, I waited for the cue, and when the female appeared to be struggling with the two more powerful males, each biting her neck, I slipped into my role of Super Duck Controller, and heeded the call for help.

Despite the rain, it was another successful day for the Super Heroes of Olde Mistick Village.

Next Friday’s post: Bear Gets a Bath. (another adventure at the toy store.)

This week’s Free Fall Friday link is http://kathytemean.wordpress.com/2011/04/15/free-fall-friday-contest-6/

Inspired to Revise: My Thoughts on Peeling Away The Layers

Whispering Pines behind me, I prepare to journey to the land of revision. My coffee cup refilled, I escape to my writing room with the dog and a cat, or two. (If I don’t extend an invitation to the pets in the beginning, I will have to endure the sound of paws traipsing up and down the hallway, after which, tapping and scratching on the door will commence.) 

Once my furry family members settle into their usual spots, I close the door to the world behind me and slip to the place where doors do not exist, where the open sky welcomes me, as do the surrounding pine trees. While this place is not in my writing room, it is in my mind, my memories. This world sits in my heart where I can tap into it, and so, I do.  Eyes shut, I drift to where I need to be, alone in my mind with my story.

I picture myself sitting on a pile of dry needles, leaning against a tree trunk, surrounded by my WIP characters. Speckles of sunlight dance in the grass as clouds roll through the sky. Two squirrels chase each other across the lawn, up a tree, and then back down again. In my mind, I yearn to pick up my camera and take pictures or go on a walk with my characters. Anything but, dissect my manuscript. Why? Fear.

It takes courage to slice and dice something we have poured out heart into. It also requires confidence and skill. And because of the recent Whispering Pines conference, I feel stronger. I fight my fear and self-doubt with the tools I’ve acquired. With Cheryl Klein’s book Second Sight at my side, I am prepared to battle. My manuscript may resemble a battlefield for a while, but in the end, I will win this war with myself. I will cut and chop. I will dice and shred. I will strip away the layers of my manuscript, like a Sycamore or Birch tree with its peeling bark.

I have always loved these types of trees. Their beautiful camouflage appearance fascinates me, especially knowing that the peeling process is the tree’s way of shedding scale insects and heavy encrustation of moss and lichens. The Sycamore tree provided much comfort for my young nieces and me when my sister was ill a few years back. As bark peeled away, it left sections of unscarred tree trunk. We saw this as a clean slate, new possibilities, and most importantly, hope. When revising, I keep a piece of Sycamore bark on my desk. Inspired by how the tree sheds unwanted insects, I work my manuscript with the goal of shedding those characters and passages that do not aid or move the story forward.

While the process of revising can feel lonely at times, I am not alone, as reminded at Whispering Pines. In the places where I get stuck or unsure, I picture the circle of Adirondack chairs by the lake. I see the smiles. Hear the laughter. Writers for children are incredibly warm and supportive of each other. I hope the remainder of my pictures represents this.

 

Thank you for stopping by and sharing this experience with me. I hope to see many of you at Whispering Pines next year!

This week, we have featured another of our NESCBWI members for Free Fall Friday. http://kathytemean.wordpress.com/2011/04/08/free-fall-friday-contest-5/